CAMS202 · Daily Creative · Music

[MUSIC] Motivic Development

For the composition exploring motivic development (Composition B), I utilised the two clefs on a Celesta to create contrast between the developed motif at various points. The piece utilises retrograde, diminution, and inversion. Octave displacement can also be seen when the bass and treble clef play the same original motif, as their played register sits at different octaves. These compositions both utilised the hirajoshi pentatonic scale.

Week 1 Score (B)

Screen Shot 2016-09-02 at 12.25.09 pm

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